another infographical movie
another infographically inspired music video animation, based on the song “A Tried And Tested Method”, by The Longcut.
another infographically inspired music video animation, based on the song “A Tried And Tested Method”, by The Longcut.
one man’s epic journey, graphically based on public domain symbols. in other words, an airport story told in the language of airport infographics.
an impressive music video packed with infographics, demonstrating that data visualization has become ubiquitous in today’s society. song: Royksopp - Remind Me.
“Wieden+Kennedy is an independent, creatively led advertising agency that creates strong and provocative relationships between good companies and their consumers.”
WD uses a fantastic timeline navigation, the whole site is based in that space navigation using vectors. Lot of math!
Tadaya. A Japanese site with great graphics and a nice navigation. I have no idea what is that about but it’s a nice inspiration.

The objective is to injure yourself with various office artifacts within a 5-minute time limit. Smooth pixel design.

MAKE in Minneapolis, creates two new CG environmental PSA spec commercials, all for shits and giggles… and a good cause. Respect yourself. Respect your environment.
Watch “Cigarette” | Watch “Trash”
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This poster by 300million has been nominated in the Best Poster Award category of the Design Week Awards. It illustrates the intricate, interwoven relationship between businesses and their brands; a.k.a. ‘The 300million brand/business poster’; a.k.a. ‘The inner mind of a brand geek’.It is a self-promotional poster that was sent out to prospective and existing clients. The idea was to avoid marketing cliche and instead focus on the creative process. A visual stream of consciousness provided the solution.
Click here (4.5 MB) for a smaller version of the poster.
Pixelator is an unauthorized on-going video art performance collaboration with the New York City Metropolitan Transit Authority, Clear Channel Communications, and its selected artists.
Since 2003, the MTA has made available for exhibition purposes 80 LED screens located at subway entrances across New York City. Unfortunately, the high cost of exhibiting (an estimated $274,000 per month per screen) prevents most artists from having access to these facilities. While the MTA’s effort to create more opportunities for video art exhibition in public spaces is to be commended, selected works remain wholly fixated on commercial goods and media conglomerate events, a short-sighted curatorial choice that regrettably ignores the full potential of these promising exhibition spaces.
In an attempt to broaden the scope of MTA’s video art series, Pixelator takes video pieces currently on display and diffuses them into a pleasant array of 45 blinking, color-changing squares. Since the project is an anonymous collaboration, the resulting video is almost entirely unplanned and unanticipated, with the original artists helping to create new works of art without any knowledge of their participation.
(Translation: Pixelator turns those ugly, blinding video billboard ads into art.)
GAME OVER is one of the art projects developed by the Swiss artist Guillaume REYMOND (NotSoNoisy creative agency). It consists of a series of collaborative animation movies which revive some of the very first video games. The pixels are replaced by a group of real human-beings that are moving from seat to seat in a theatre during about 4 to 6 hours. Each “pixel” has its own rules and decides what s/he wants to do for each picture. Once all these pictures are turned into a short animation movie, a giant human-scale video game unfolds “live”.